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Injecting fresh life into a
moribund genre and carving out your own riche can be a risky business
in rock'nroll but the formidable Monster Magnet are an insomnia-fuelled
psychodrama, a constant blur of a mother lode for those who crave maximum
psychedelic overload.
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From an early age, Dave Wyndorf
was consumed by a restless desire to live life to the full. Launching
into extended psychedlic jams or reinventing himself as a new-school rock
icon, he attracts a reputation for eshewing the conformist, middle-of-the-road
way of life.
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Upon leaving school, Wyndorf
read the book, 'Heart Of Darkness' and immediately identified with its
theme of surrendering to one's dark side. In 1989, he formed Airport 75
which in turn became Monster Magnet.
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The 'Tab' EP and debut
album 'Spine Of God', joined the msuical dots between late 60's
psychedelia and early 70's Motor-City rock. Consistently acclaimed live
shows around the US and Europe led to a major label deal with A&M
in 1993.
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Aware of the extra pressure
involved in coming up with new product for a big-name major, Monster Magnet
knocked out the 'Superjudge' album within just a week and a half,
capturing perfectly a sense of the spontaneous and dangerous. The engrossing
one-way journey that was 'Dopes To Infinity' took a month to record
and was an altogether more heavily-produced affair.
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The aptly-titled 'Powertrip'
lbum was written by Wyndorf during a three-week writing spree in Las Vegas.
Here the group transcended all their influences to make a record of classic
'Fuck You' rock songs for the post-Nirvana generation, the kind of album
that people stopped making decades ago.
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The hell-raising antics of Monster
Magnet are the stuff of legend, and the '98 and '99 tours involved a fair
share of hedonism, sensationalism and downright rock'n'roll behaviour.
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'God Says No' catapulted
the group into the premier league of rock'n'roll, winning them acclaim
from all quartersand cementing their position as spearheads of stoner
rock.
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Dave Wyndorf has never been
anything but forthright in his views and his music, and he remains one
of the last genuine rock star figures with something important and serious
to say.
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Monster Magnet are a mighty
fine alternative to the stodgy, market-researched corporate rock and pop
currently being peddled to the masses. But wil the band keep sight of
what's important or get lost in orbit ?
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